If you’ve never heard of the film “Powder Blue“, sadly you are not alone. Released on DVD earlier this year, the final failed to live up to the hopes of the studio that produced it. The following is a teaser trailer made up of scenes from the cut originally submitted by the director, Timothy Linh Bui:
Then, after being recut to a more “audience friendly” length of 106 minutes, this trailer was made to promote the film for its release on DVD:
Which trailer elicited a stronger desire to see more and watch the film (assuming either did)? Once might say that the second trailer gives more details about the film, while the first one leaves much to the imagination like a box of LEGOs with no directions. If you were intrigued by certain images from the first trailer, like the man in the Santa suit looking off of the edge of a building, or the man wearing the tiger mask in the tunnel, you will be disappointed to learn that that those scenes were removed completely from the final cut of the film.
If the images of Jessica Biel dancing as a stripper garner your attention, then you will be pleased to discover that those scenes were kept in the movie, and are extensive. In fact, in many circles, this film is known as “the movie where Jessica Biel finally takes her top off”. Like “Havoc” and “The Gift
“, the presence of the female form from a formerly wholesome teenage actress, threatens to overshadow the aim and theme of the movie containing it. While that is an interesting topic on its own, it is better to discuss the movie’s intended theme (in this reviewer’s opinion), namely: loneliness.
The setting of the film is Los Angeles, in present day, in the week preceding Christmas. Although it is one of the largest cities in the world, feelings of alienation and disconnection are common. If it is true that our past experiences and thoughts work to create present reality, the four main characters carry those heavy burdens in their eyes. The least well known actor of the four, Eddie Redmayne, just looks lonely. Being a mortician and a puppeteer, his character, Qwerty, spends much of his time with people who cannot respond to (or hurt) him.
The other characters are isolated by the results of past behavior and either blame themselves, God, or both. No matter who is to blame, without peers, or a healthy social system to give perspective to their experiences, their loneliness is perpetuated. For Forrest Whitaker’s and Ray Liotta’s characters, it’s haunting to watch them struggle against their past, and continually find their present unchanged. Jessica Biel’s portrayal of Rose Johnny is uneven, but was perhaps deliberately so to display some schizophrenic tendencies as a coping mechanism.
Overall, the movie succeeds in portraying loneliness in a vast sea of people, with no visual portrayals of crowds or masses of humanity included. In an effort not to spoil too much of the movie, let’s just stop with saying that relationships are as vital to healthy human behavior as any moral code or doctrine for living.
In summary, the dedication of the directors, producers, and actors of this film deserved a better final product than the one that ultimately made it onto DVD this summer. Not every story in this medium fits into a 90-110 minute window to maximize theatre screen turnover. Character development was lost in an effort to translate emotion and experience with a type of cinema editing shorthand, and the viewer suffers slightly because of it. All in all, the movie is definitely worth renting, and if a director’s cut is released, worth a closer look again.
